Letourneau
Opus 87
2003
77 ranks / 70 stops / 4 manuals
| Stoplist |
Pitch |
Pipes |
Details |
| Great Organ
|
999 |
|
| Double Diapason |
16 |
61 |
|
| First Diapson |
8 |
61 |
|
| Second Diapson |
8 |
61 |
|
| Harmonic Flute |
8 |
61 |
|
| Stopped Diapson |
8 |
61 |
|
| Principal |
4 |
61 |
|
| Open Flute |
4 |
61 |
|
| Twelfth |
2 2/3 |
61 |
|
| Fifteenth |
2 |
61 |
|
| Mixture IV-VI |
1 1/3 |
306 |
19-22-26-29 |
| Trumpet |
8 |
66 |
|
| Clarion |
4 |
78 |
|
| Tuba |
8 |
-- |
from Solo |
| Festival Trumpet |
8 |
-- |
from Solo |
| Chimes |
|
|
from Choir |
| |
|
|
|
| Tremulant |
|
|
|
| Great Suboctave |
|
|
|
| Great Unison Off |
|
|
|
| Great Octave |
|
|
|
| MIDI A |
|
|
|
| MIDI B |
|
|
|
| |
|
|
|
| Swell Organ (enclosed)
|
1,245 |
|
| Contra Gamba |
16 |
61 |
|
| Diapson |
8 |
61 |
|
| Gamba Celeste |
8 |
54 |
from G |
| Bourdon |
8 |
61 |
|
| Principal |
4 |
61 |
|
| Spindle Flute |
4 |
61 |
|
| Nazard |
2 2/3 |
61 |
|
| Fifteenth |
2 |
61 |
|
| Tierce |
1 3/5 |
61 |
|
| Full Mixture V |
2 |
305 |
15-19-22-26-29 |
| Double Trumpet |
16 |
61 |
full length |
| Trumpet |
8 |
66 |
|
| Oboe |
8 |
66 |
|
| Vox Humana |
8 |
66 |
|
| Clarion |
4 |
78 |
|
| |
|
|
|
| Tremulant |
|
|
|
| Swell Suboctave |
|
|
|
| Swell Unison Off |
|
|
|
| Swell Octave |
|
|
|
| MIDI A |
|
|
|
| MIDI B |
|
|
|
| |
|
|
|
| Choir Organ (enclosed)
|
979 |
|
| Lieblich Gedeckt |
16 |
61 |
stopped wood |
| Geigen Principal |
8 |
61 |
|
| Chimney Flute |
8 |
61 |
|
| Flute Celeste II |
8 |
115 |
second rank from G |
| Geigen Octave |
4 |
61 |
|
| Wald Flute |
4 |
61 |
|
| Nazard |
2 2/3 |
61 |
|
| Block Flute |
2 |
61 |
|
| Tierce |
1 3/5 |
61 |
|
| Sharp Mixture IV |
1 |
224 |
22-26-29-33 |
| Trumpte |
8 |
66 |
|
| Cromorne |
8 |
66 |
|
| Tuba |
8 |
-- |
from Solo |
| Festival Trumpet |
8 |
-- |
from Solo |
| Harp |
|
|
from Solo |
| Chimes |
|
|
Walker Digital |
| Zimbelstern |
|
|
|
| |
|
|
|
| Tremulant |
|
|
|
| Choir Suboctave |
|
|
|
| Choir Unison Off |
|
|
|
| Choir Octave |
|
|
|
| MIDI A |
|
|
|
| MIDI B |
|
|
|
| |
|
|
|
| Solo Organ (enclosed)
|
692 |
|
| Concert Flute |
8 |
61 |
harmonic; wide scale; open wood |
| Orchestral Viole |
8 |
61 |
70% tin |
| Viole Celeste |
8 |
61 |
70% tin |
| Cornet V |
8 |
245 |
from C; mounted horizontally |
| Corno di Bassetto |
8 |
66 |
|
| French Horn |
8 |
66 |
|
| Tuba |
8 |
66 |
high wind, hooded |
| Festival Trumpet |
8 |
66 |
unenclosed, mounted horizontally;
70%
polished tin |
| Harp |
|
|
Walker digital |
| Celesta |
|
|
Walker digital |
| |
|
|
|
| Tremulant |
|
|
|
| Solo Suboctave |
|
|
|
| Solo Unison Off |
|
|
|
| Solo Octave |
|
|
|
| MIDI A |
|
|
|
| MIDI B |
|
|
|
| |
|
|
|
| Pedal Organ
|
420 |
|
| Double Open Wood |
32 |
-- |
Walker digital (full compass) |
| Contra Bourdon |
32 |
12 |
extension of Bourdon 16;
stopped
wood |
| Open Wood |
16 |
32 |
open wood |
| Open Diapson |
16 |
32 |
|
| Bourdon |
16 |
32 |
stopped wood |
| Contra Gamba |
16 |
-- |
from Swell |
| Quinte |
10 2/3 |
32 |
|
| Principal |
8 |
32 |
|
| Bourdon |
8 |
12 |
extension of Bourdon 16 |
| Choral Bass |
4 |
32 |
|
| Mixture III |
2 2/3 |
96 |
19-22-26 |
| Contra Trombone |
32 |
12 |
extension of Trombone 16;
stopped
wood |
| Trombone |
16 |
32 |
|
| Double Trumpet |
16 |
-- |
from Swell |
| Trumpet |
8 |
32 |
|
| Schalmey |
4 |
32 |
|
| Tuba |
8 |
-- |
from Solo |
| Festival Trumpet |
8 |
-- |
from Solo |
| |
|
|
|
| MIDI A |
|
|
|
| MIDI B |
|
|
|
| |
|
|
|
Couplers:
To Pedal 8,4
Great, Swell, Choir, Solo
To Great 16,8,4
Swell, Choir, Solo
To Choir 16,8,4
Swell, Solo
To Swell 16,8,4
Solo
Great / Choir Manual Transfer
Pistons:
General 0, 1-20
Great 1-8
Swell 1-8
Choir 1-8
Solo 1-6
Pedal 1-6 (duplicated under choir manual on left side)
Toe Studs: (reversible unless indicated otherwise)
Generals 1-20 (non reversible)
Pedal 1-6 (non reversible)
Sequencer Up (on either side of crescendo shoes)
Sequencer Down
Tutti I & II
Zimbelstern
Great to Pedal
Swell to Pedal
Choir to Pedal
Solo to Pedal
Contra Trombone 32’
Contra Open Wood 32’
Contra Bourdon 32’
256 Levels SSL Memory
Yamaha Data Recorder
Piston Sequencer (2 ups,1 down on pedal; 5 ups, 3 downs on manuals)
Crescendos – 1 factory set, 3 adjustable
Tutti I, II
Blind check function for Tuttis and Crescendos
LED Indicators for Wind, Tuttis, Crescendo, Manual Transfer
3 Balanced Expression Shoes (choir, swell, solo)
Zimbelstern speed adjuster knob
4-manual console
Compasses:
Manual keyboards: 61 notes (CC to C4)
Pedal keyboard: 32 notes (CCC to G)
Keyboards built of Stika spruce with an overlay of polished bone for
natural keys, and ebone for the sharps. Pedalboard made with
naturals of maple and sharps of ebony.
Adjustable bench with back
Lighted music rack
Locking Rolltop
On moveable platform with built-in locking casters with 45’ of cable
allowing to be located anywhere on the chancel area
Solid-State Organ Systems Components:
Independent Sequencer for
Multi Level Capture System
MDF-3 (Yamaha MIDI data filer)
MFM-D (MIDI for Multi System)
Multilevel Capture System
(256 Levels of Memory)
Total Recall
Specifications:
Electric Slider action valves
All principals, mixtures, and mutations contain 70% tin; all flutes,
reeds, celestes, and other pipes contain 56% tin
Wood pipes made from American yellow poplar
Metal pipes from tin and lead – some spotted metal, other polished
metal
Frame, windchests, and wind lines made from yellow poplar
Interesting Facts:
Longest pipe is approximately 20 feet long and diameter of 2 feet
Shortest pipe is approximately 4 inches in length with the diameter
of a pencil
If all pipes were laid out end to end, would stretch out over 1 mile
in length
Façade pipes include:
Organ blower’s motor totals 16 horsepower to wind instrument
During the voicing process, each pipe will be regulated to give it
its own unique character
Summary
|
Division |
Manual |
Stops |
Ranks |
Borrowed |
Electronic |
Extended |
Pipes |
|
Great |
II |
14 |
17 |
2 |
0 |
0 |
999 |
|
Swell (expressive) |
III |
16 |
20 |
0 |
0 |
0 |
1,245 |
|
Choir (expressive) |
I |
14 |
16 |
2 |
0 |
0 |
979 |
|
Solo (expressive) |
IV |
8 |
12 |
0 |
0 |
0 |
692 |
|
Pedal |
P |
18 |
12 |
4 |
1 |
3 |
420 |
|
Totals |
|
70 |
77 |
8 |
1 |
3 |
4,335 |
Layout of Divisions
looking down into organ from above
Swell |
Solo |
Choir |
|
Great & Pedal |
Festival Trumpet mounted vertically
(façade)
More information, questions, comments or to arrange a tours and demonstration,
contact Bradley Reznicek, at 972.380.8001 x.8026 or breznicek@standrewumc.org
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Gallery | The Builder | History
of Opus 87 | Stoplist & Specifications
| Description of Divisions | Events
& Concerts
Choral Ensembles